Given the length of the average haircut, it surprises me that I don’t see more short films built around them. Tamar Simon Hoffs knew the advantages of the haircut-based short film, and she put them to use in 1982, during her time in the American Film Institute’s Directing Workshops for Women program. The Haircut’s script has a busy record executive on his way to an important lunch appointment. With only fifteen minutes to spare, he drops into Russo’s barber shop for a trim. Little does he expect that, within those fifteen minutes, he’ll not only get his hair cut, but enjoy a shave, a massage, a glass of wine, several musical numbers, romance real or imagined, and something close to a psychoanalytic session. He goes through quite a few facets of the human experience right there in the chair — minus the time-consuming “hot towel treatment” — and Russo and his colorful, efficient crew still get him out of …
Categories